Friends in the Arts: Exhibition of Chinese Collectors’ New Contemporaries

Jordan, the director of the Shanghai Tank Art Center. He once studied at the School of the Art Institute of Chicago and co-founded the non-profit space “Gallery Without People” in Chicago. After graduating in 2019, I joined the Shanghai Oil Tank Art Center and successively organized and presented the exhibition “Sister Gates: Bad Neon”, as well as events such as “Oil Tank Player Art Festival” and “Oil Tank New Year’s Eve”.

Evonne Jiawei Yuan is a writer and curator based in Shanghai. She graduated from Fudan University with B.A. in Museology, The Courtauld Institute of Art, University of London with M.A. in History of Art, and the Architectural Association School of Architecture with M.A. in History & Critical Thinking. Recent curations include “Shanghai Dandy” (Don Gallery, Shanghai, 2017), “Steadfastly Raise the Standards in Nonproductive Construction” (Don Gallery, Shanghai, 2018), “Going Viral: Zombies, Pluribiosis, and Love of the Living Dead” (totalab, Shanghai, 2022), “Steadfastly Revise For the Standards in Nonproductive Construction (Part I: Solid Molds; Part II: Liquid Circulates)” (Long March Independent Space, Beijing, 2022–23), “Entangled, Ensnared, Entwined – Carol Bove, Hu Xiaoyuan, Alicja Kwade” (Longlati Foundation, Shanghai, 2023), etc. Contributing articles also featured in artforum.com.cn, ArtChina, LEAP, etc. Current research interests include the architectural media in-and-of contemporary art, (post)modern spatial concepts, border aesthetics and its geopolitics. She has been Guest Curator of Longlati Foundation and Head of its Writers’ Acquisition Committee (Shanghai) since 2021, producing solo exhibitions “Ma Qiusha: The Mirror(-scape) of Your Skin” (2022), “Laure Prouvost: Theatergarden and A Be(a)stiary of the Anthropocene” (2022), etc. In 2022, she co-founds totalab, an independent curatorial office and art space in Shanghai with artist-curator Julian Junyuan Feng.

Delora Xuanqiao Che, the founder of Macalline Art Center, is a Chinese art patron. She is the Vice President of Red Star Macalline Group and the founder of the design furniture brand THE SHOUTER. 
Macalline Art Center’s physical space in Beijing’s 798 Art District formally opened to the public on January 15, 2022. Macalline Art Center is a non-profit art institution founded by philanthropist Che Xuanqiao and supported by the Red Star Macalline Holding Group Co., Ltd. Based in a 900-square-meter, two-story building, Macalline Art Center will bring together artists, curators, and cultural professionals from around the world working in a range of forms. The Center will build a practice-oriented site focused on contemporary visual inventions and become a new cultural coordinate on the contemporary art map. 

Co-partner of Focus Media, Initiator of Paradise Cinema Charity Project

After 20 years of deep cultivation, Michael Cheng has pioneered the development of Chinese movie pre-screening advertising from scratch, set up a multi-dimensional evaluation system and standard for movie pre-screening advertising, and devoted himself to building China’s most prominent movie advertising media company. Under the leadership of Cheng, the scale of China’s movie advertising market has grown unprecedentedly, and cinema video media has become a mainstream new media force that has received much attention and recognition both inside and outside the industry and has become the most influential and valuable marketing communication network platform.

In June 2018, the “Paradise Cinema” public charity project advocated and initiated by Michael Cheng aims to provide continuous free movie-viewing opportunities for young people with movie-viewing needs in rural areas of the motherland.

Founder of DANGXIA ART SPACE, Artist, Collector 

Established in 2021, DANGXIA Art Space is a non-profit contemporary art space based in Beijing’s Tianzhu Free-Trade Zone.

Dangxia stands for an openness beyond temporal or spatial constraint. We aspire to provide an inclusive environment to foster and activate creative discourses among artists and scholars. Our mission is to support the practice of emerging Chinese and international artists through a diverse program of exhibitions and research projects, that is often achieved by the exchanges of ideas that are inter-disciplinary or transcultural, inquiring into concerns that are anchored in the urban/rural, cultural/societal development of China.

Collector
Joy Shing has been collecting contemporary art for 29 years, she is also the founder of ZUMA Group Limited.

Co-founder of Yit
Founder of  Yit art

Collector
Luo Xudong was born in 1991 in Dongying City and is a member of the Communist Party of China and a patron of the arts. In his childhood, Luo showed his interest in collections and started his business after graduating in 2014, and his art collection developed simultaneously. In a decade, with an insightful vision, Luo built a clear and unique Chinese contemporary art collection system. He worked hard to push Chinese contemporary art to develop in a healthy and ordered mode.

Co-founder & Director of Longlati Foundation
Co-founded by David Su and Zihao Chen, Longlati Foundation is a non-profit organization registered in Hong Kong, China. It stands between the cultural landscapes and geo-political realities in change, contributing to the development of contemporary art in its diversity. Since its initiation in 2017, Longlati Collection and Patronage Program have been structured around three themes: 20th-century international women artists, minority and multi-minority cultures, as well as the practices of post-90s Chinese artists.

Mr. Jiao Jingjia, as a seasoned professional in the field of design, embarked on his art collection journey in 2012. As a collector, he has embraced a wide range of art forms, including traditional mediums such as prints, watercolors, and sculptures, as well as avant-garde contemporary art and cutting-edge experimental new media art. Over the course of 8 years, he has cultivated an artistic space known as the ‘Vegetable Garden,’ enriched with fine works by many internationally renowned artists.

He believes that his interest in contemporary art and art collecting primarily stems from his profession. Throughout his professional experience, world-renowned architectural designers such as Ieoh Ming Pei, Tadao Ando, and influential design theories like Germany’s ‘Bauhaus’ have had a profound impact on him. The success of these masters and theories lies in the integration of ‘ design’ and ‘art’ within the field of architecture. This philosophy has greatly benefited him and has also fueled his strong interest in exploring the relationship between contemporary art and modern design in the course of his practice.

Young Collector
Cheng Cheng, born in 1996, spent six years studying in the UK, where he earned a master’s degree in Art History. He is recognized as a young and passionate art collector, and the founder of the Hong Kong Tai Hong Foundation of Art Limited (Ti Art Foundation).

Collector, M+ Founding Benefactor

Collectpr

Xi’an Collector 

Director of Iris Art Museum, Young Curator
Serial entrepreneur, investor
Contemporary art lovers

Collector
Tianze Jiang grew up in Shanghai, co-founded gallery no one, and is currently a PhD candidate at Fudan University. He combines collecting and academic research, focusing on young contemporary artists, and tries to explore the development and historical logic of contemporary emerging art from these works.

Entrepreneur, Collector, Art patron
Entrepreneur, collector, and art patron,  Wu Meng started collecting in 2017, and since then has amassed a collection—Wu Meng Collection—of over 300 artworks from the postwar period to the present, with an inquiry into iconography and iconology in contemporary visual culture. The Collection has donated works to international museums, including Centre Pompidou and Singapore Art Museum. Wu’s art patronage is across a wide range of settings: Wu sits at the UCCA Foundation Council, the governing body of UCCA, and the International Leadership Council of New Museum, New York. He launched his own non-profit and non-collecting M Art Foundation in 2021 with the mission of building an artist-centered platform to support underrepresented practices and discourses.

Founder of “C for ABC”  , Partner of Star Gallery
Graduated from UCL as an Art History major, Cici Xiang is the founder of the art project “C for ABC.” She officially joined Star Gallery as a partner in November 2021. As a fashion model and an art promoter, she has established strong connections with the media and commercial spheres. She has also become active in fashion, culture, and art.

Collector
Michelle Ying Ying Hsieh, born into a media family, was born in Taipei and educated in the United States. She graduated from the Sotheby’s Institute of Art in New York and resides in Hong Kong. She serves as a Client Advisor at Frieze in Greater China. Her mother is the founder of the magazine ARTouch. Influenced by her mother from a young age, Michelle initially followed her mother’s collecting interests. Later, she began researching Western contemporary art alongside her mother, focusing on female artists, especially those who have temporarily paused their careers for family reasons.

Co-Founder of ART021, JINGART, DnA SHENZHEN

Founder & Manager of 
JUZHI Home Furnishing
Founder of CHI Art Center

Founder of ASE Foundation
Joan Zhang graduated from Stanford University’s Graduate School of Business,and has nearly two decades of experience in venture capital and entrepreneurship. She is one of the earliest and most talented female venture capitalists and entrepreneurs in China. She is also a lifestyle connoisseur, art collector and patron. In 2021, she founded ASE Foundation, a non-profit foundation which supports and promotes research, exchange and exhibition of contemporary art.

1993 Born in Chaozhou, Guangdong. 

Young Collector
Co-founder of Gallery Func

Curator, Collector, Co-founder of gallery no one, Co-founder and Chief Editor of te magazine
Hetian (Michael) Guo lives and works in New York and Beijing. He graduated from the School of the Art Institute of Chicago in 2017 and earned his master’s degree at the Royal College of Art in 2020. He is a curator and collector, co-founder of independent space gallery no one, Chicago, and co-founder and chief editor of te magazine. His collection includes  Anthony Gormley, Damien Hirst, Lee Ufan, Alex Katz, Yayoi Kusama, Oscar Murillo, Wolfgang Tillmans, Kohei Nawa, Haegue Yang, He Xiangyu, Izumi Kato, and more.

Collector
CEO of Beijing Songze Art Center
Ding Zehua, the CEO of the Beijing Songze Art Center and a dedicated art collector, officially assumed the director role at Song Art Museum in March 2022 and is fully responsible for its operation and management. Mr. Ding Zehua’s profound passion for art is evident in his collection, which encompasses various Chinese contemporary artworks from the 20th century onwards. He consistently adopts new perspectives and a forward-thinking approach to developing contemporary Chinese art, aspiring to establish a comprehensive exhibition sequence for contemporary art in private art museums in China.

Building upon Mr. Ding Zehua’s collection, Song Art Museum aims to curate exhibitions with a vertical focus through in-depth research. This initiative seeks to enhance the museum’s academic and professional development, optimizing and maintaining a healthy ecosystem for private art museums. By actively engaging and promoting the development of contemporary Chinese art, the museum is poised to contribute to the ongoing progression of the art scene.

Collector
CEO of Beijing QSRY Investment Limited.
Member of MWoods Beijing Advisory Board
Founder of Eclosion Collection
Michelle Yuan Bing is currently based in Beijing. She earned a Master’s in Design Management from the POLI.design of Politecnico di Milano. During her time in Europe, Michelle frequented institutional exhibitions and museums. She was introduced to many artists who participated in the Venice Biennial and Documenta in Kassel, many of whom she later included in her collection, from Wolfgang Tillmans, Oscar Murillo, Katharina Grosse, Laure Prouvost, to Hernan Bas, Mariam Cahn and Simon Fujiwara.

This year, Michelle announced the opening of Eclosion Collection+Projects. The space showcases a collection of domestic and international artworks that Yuan Bing has accumulated. “Eclosion,” symbolizing both “metamorphosis” and “blossoming” Collectors, through collecting, growing and transforming, akin to a butterfly’s journey of emergence.

Through Eclosion Collection + Projects, we will delve into art history and cross-cultural exchange, extending our focus to Western and Pan-Asian cultures to establish an independent contemporary perspective on collecting. We hope to build a platform where collector friends, researchers and curators engage and exchange ideas.

Founder of ZHI Foundation, Co-founder of DANGXIA Art Foundation
Kairong Zhang, who lives and works in New York and Beijing, graduated from the Royal College of Art with a degree in sculpture in 2021 and co-founded the nonprofit DANGXIA Art Space as a co-founder in the same year. T. The mission of the space is to support the artistic creation, cultural exchange and academic research of young Chinese and international artists through a variety of projects and events. In addition, Kairrong Zhang is the manager of her family’s collection and is responsible for preparing the first exhibition of the collection of the collection of her family’s art foundation, which involves ancient Chinese paintings and calligraphy and international contemporary art.

Collector
Wenxi Zhao currently works and lives in Beijing and New York. She completed her undergraduate studies at New York University, earning a Bachelor’s degree in Economics. In 2017, she obtained a Master’s degree in Art History and Art Business from Christie’s Education in New York. She previously worked in the Impressionist and Modern Art Department at Christie’s in New York. Zhao Wenxi’s collection focuses on contemporary art from both Eastern and Western traditions, encompassing various mediums such as painting, sculpture, installations, and visual media.

Post-90s Collector
Michael Cheng Sheung Chuen is a young collector, based mainly in Hong Kong and Beijing. Influenced by his father since childhood, he was deeply influenced by ancient art and had an early budding perception of art. After completing a degree in financial management in the UK, he studied at Christie’s Education. After returning to China in 2017, he began his art-collecting journey, which involved contemporary Chinese and Western art in various media.

Collector
Cao Beichen graduated from King’s College in the United Kingdom in 2010. After returning to China, he worked at an accounting firm and is currently responsible for equity investment in the family business. He began his involvement in the field of art collection in 2019, focusing on emerging artists from China and internationally, as well as those with innovative and pioneering directions. The collection includes representative works from artists such as Tal R, Friedrich Kunath, Mostafa Sarabi, Angel Otero, Lari Pittman, Henry Curchod, Ouyang Chun, Qiu Xiaofei, Wei Jia, Lu Chao, Tan Yongqing, and others.

Young collector
Art patron
Cindy Yan, a young collector and art patron based in Shanghai, started to enter the field of the contemporary art collection in 2019, starting from Western postwar art to Chinese mid-generation artists; as a young Gen Z collector who loves life and art, Yan constantly pays attention to the development of young artists, and grows and progresses together with them. “Art comes from life and is above life; art gives me a lot of nourishment and allows me to rediscover the goodness and beauty on my way to growth.”

Director of Beiqiu Museum of Contemporary Art
Beiqiu Museum of Contemporary Art sits on the hillside terrace of Catherine Park in the Xuanwu District of Nanjing. With the North Pole Pavilion at the back, BMCA is quite an escape in this rustling and bustling world. As the first art museum on the hill inlaid downtown, BMCA officially opened to the public in 2020, integrating multiple functions, including a contemporary art collection, exhibition, research and education.

Novice collector
Long Museum

Founder of Yi Si Art Foundation
Yi Si Art Foundation is a non-profit and non-public art foundation established by Ms. Yu Dan in early 2023 in Hong Kong, China. Ms. Yu Dan has been deeply invested in the development of contemporary art in both the Southwest region of China and throughout the country, as well as internationally. This foundation is based on her collection, curatorial practice, and social network. It uses Chengdu in Sichuan, Hong Kong in China, and London in the United Kingdom as hubs to connect and promote contemporary art development with the prospect of reflecting regional, modern, and international artistic characteristics.

Ruby Li Ying is based in Shanghai and Hong Kong. Her collection journey began in 2013, initially focusing on ancient Chinese calligraphy and painting, along with Chinese contemporary art. In recent years, she has expanded her collection to include Western contemporary art. On the one hand, Li pays attention to artists holding essential positions in the contemporary art history of both China and the West. On the other hand, she consistently sponsors young artists. In addition to her ongoing focus on the academic hotspots of recent years, Li’s collection now places greater emphasis on artists with enduring value in art history. The collection aims to transcend limitations of identity, gender, and region, seeking artists capable of withstanding the long river of time and the precipitation of history.

Pan Yang, as a young collector and the founder of pan space, Pan Yang started to enter the field of collection during 2018, and has been collecting with a zenful mindset.

Collector

Vivian Chen is a Founding member of UCCA Foundation Council and an independent musician agent. In recent years she has supported the cultivation of numerous emerging independent musicians. She has been collecting art for about 16 years, and she has recently shifted her focus towards young contemporary Chinese artists. The superbly presented craftsmanship and remarkable visual expressiveness, along with the resonant contemporary background and content conveyed by the works, are often what she finds most interesting.

Vivian Young, currently works and lives in Hong Kong, Guangzhou and Shanghai. She holds a double master’s degree in Social Sciences from the Chinese University of Hong Kong and Art History from the Macau University of Science and Technology. Vivian’s collection focuses on works by young contemporary artists from both the East and West.

Wu Wei was born on January 6, 1993, and graduated from the Hubei Institute of Fine Arts, School of Fashion Art and Design in 2014. He established the FMACM® clothing brand in 2014.

Sylvia Wang holds a Master’s Degree in International Studies (MIPA) from HKU, is an honoree of Tatler Gen. T in the Arts, and is a founding patron of M+.

Collector, Co-founder of DANGXIA Art Foundation

Managing Partner of The Cloud Collection

Co-founder of The Soil Collection
Aria Yang, based in Beijing and Hong Kong, with an international degree in arts management and local institutional experience, co-founded the soil collection with Vince Guo in 2022 intending to build a mobile and debatable collection through nomadic curation and commissions for young artists.

Sherry Zhang is based between Beijing and New York and has an extensive contemporary art collection that focuses on two themed strands: female artists and photography. Sherry is a patron of the Centre Pompidou IC-Asia Pacific and was a sponsor of Cao Fei solo exhibition in 2019, as well as ‘Women in Abstraction’ in 2021; this exhibition is a comprehensive study of the women of abstract art and their works curated by Christine Marcel, chief curator of Centre Pompidou. Sherry is also a member of the UCCA International Circle.

Collector

Vince Guo, a millennial art collector, lives in Beijing and Hong Kong. He has an international degree in Art Management and experience in local institutions. 

Focus on secondary market investment and M&A
Lover of art and rock tea, enjoys writing
WeChat Official Account: 加斯顿的愤怒

Wen Yu, collector and founder of LalLal Art Gallery, Australia

Wen Yu has been collecting contemporary art since 2013 and has collected works by more than 100 domestic and international contemporary artists. Through Lal Lal Art Gallery Australia, Wen Yu has supported artist residency programs, with more than ten Chinese contemporary artists completing their residencies between 2017 and 2019. New residency programs are underway. Headquartered in Zhangjiagang Free Trade Zone, Jiangsu Province, Wen Yu directs Tianyu Wool Industries, the world’s largest wool processor in Australia, New Zealand, South Africa, Uruguay, Argentina and Italy, serving many luxury garments worldwide.

Founder of ONE ATELIER (Beijing)

Minluo Su, a Senior Art Consultant, Art Collector, and Founder of Shanghai Saisen Art Co., Ltd. Minluo is committed to collecting and promoting Chinese contemporary art. She also provides long-term support for the creation and expansion of frontline and emerging artists in China. Minluo Su positions herself as an art collector who ‘keeps the collection’ and believes that every collector will have more personalized collection preferences. Particularly interested in artworks that can highlight personal brush language, Su Minluo has long promoted the cooperation of young artists with galleries and other commercial projects, pioneering the integration of contemporary works of art into commercial spaces.

Olivia Li graduated from New York University, Li’s family has been collecting artworks for over 30 years, and Li herself is dedicated to the field of contemporary art. She currently operates an art account named Olivia Art Talk, focusing primarily on art commentary and interviews within the art community.

Yao Chien has been working at Le Music, and head of DianJung and Sony Music, as well as General Manager of EMI and Virgin Music. Currently, he is working at the Music Nation Ursa Major Ltd.

In 2013, he published “Sense It”. In 2014, he published “Beautifully Encounter”. In 2015, he published “A Person’s Collection”. In 2017, he published “If This Can Be The Song”, and he is a producer of the documentary ”My Dear Art”. In 2018, he published “We All Have Our Own Song”, and he is a curator of the exhibition for Sanyu.

Inspired by his father’s generation’s devotion to collecting ancient Buddhist statues, Niklas Chou, born in 2000, gradually established his interest in contemporary art. He entered the field of collecting and patronage around 2018 with a diverse configuration, trying to build a bridge between the classical and the conceptual. During his undergraduate studies in engineering, he founded the non-profit organization 69 ART CAMPUS Art Center, currently located in the Baideli Automotive Industrial Park, 143 North West 4th Ring Road, Beijing, dedicated to sharing his contemporary art collection with the public, as well as inviting and funding curators and artists to carry out different types of art projects, for example, creating a new type of space where corporate offices and art displays coexist. The project aims to create a new methodology for co-locating corporate offices and art exhibitions.

Alda Xie is based in both Shanghai and North America. She holds a bachelor’s degree in Art History and a master’s degree in the same field, obtained from institutions in the United States and the United Kingdom, respectively. With professional experience in art management, she later worked for a cultural investment institution, exploring the potential synergies between art, culture, and other domains.

Xi Tao focuses on the value development and enhancement of singer-songwriters, using the foundation of the singer-songwriter brand-building method. He provides personalized development strategies, technical support, and commercialization pathways for musicians at different stages.

In 2020 and 2023, Xitao curated and launched two cross-disciplinary music and art projects titled “ALL CREATIONS I: Encounters with Animals” and “ALL CREATIONS II: Distant Similarities.” These initiatives invited musicians and artists to create works on the same theme, broadening the audience base in the art field and particularly engaging a younger demographic. In 2022, the A26 Space was established, offering a blend of art exhibitions, live performances, and a cultural arts complex that includes dining and coffee experiences. With art practices occurring every two months, this platform provides a stage for daring and innovative artists. The exhibitions are complemented by immersive dining experiences and performances, creating a fresh and profound interaction with the audience in unconventional ways.

Coobe Wang, an investor in the financial sector, entered the contemporary art collection in 2019 with his wife Sophia Luo; the collection includes a wide range of works spanning painting, sculpture, installation, video, sound and mixed media. He focuses on the dialogue between artists from different regions and builds on this with a sense of commonality and critical judgment. He now names his collection the “Last Piece Collection.”

Oscar Murillo（奥斯卡·穆⾥略）出⽣于哥伦⽐亚，现居住在不同的地⽅。他以创新和流动的实践⽽闻名，包括绘画、纸上作品、雕塑、装置、⾏动、现场活动、合作项⽬和视频。总体来看，他的作品体现了对⽂化交流概念的持续强调，以及思想、语⾔甚⾄⽇常物品被替换、流通和越来越混合的多种⽅式。穆⾥略的作品传达了对全球化特定条件及其随之⽽来的不断变化状态的细致理解，同时保持了⼈类经验的普遍性。
穆⾥略于2007年获得伦敦威斯敏斯特⼤学BFA学位，2012年获得伦敦皇家艺术学院MFA学位。他于2013年加⼊David Zwirner画廊，并在随后的⼀年在纽约画廊举办了⾸次展览，题为《A Mercantile Novel》。2015年，他在David Zwirner画廊伦敦分部
举办了个展《binary function marked》。2016年，纽约画廊展出了艺术家新作品的个展《through patches of corn, wheat and mud》。2018年，内容和信息的积累在David Zwirner⾹港画廊展出，这是艺术家在亚洲举办的⾸次个展。2019年，在画廊伦敦分部举办了《Manifestation》展览。2020年，在画廊巴黎分部展出了《News》。2022年，在纽约举⾏了艺术家与David Zwirner合作的第七次个展《Ourself behind ourself concealed》。
2022年，穆⾥略的个⼈作品展在荷兰海⽛的KM21和密苏⾥州圣路易斯市的圣路易斯艺术博物馆上映。此外，艺术家在意⼤利的第⼀次个⼈展览名为“奥斯卡·穆⾥略：灵魂与姿态”，于2022年在罗⻢Memmo基⾦会举⾏。奥斯卡·穆⾥略：从天堂吹来⼀阵⻛暴于2022年秋季在威尼斯Scuola Grande della Misericordia上映。2019-2020年，奥斯卡·穆⾥略：社会⾼度在阿斯彭艺术博物馆展出。同样在2019-2020年，奥斯卡·穆⾥略：⽔平⿊暗寻求团结在德国汉堡的Kunstverein展出。此外，穆⾥略是赢得2019年特纳奖的四位艺术家之⼀。特纳奖展览在英格兰⻢盖特的特纳当代艺术中⼼展出，持续到2020年1⽉。同样在2019年，与托尼·科克斯（Tony Cokes）的双⼈展览《碰撞/联盟》在纽约The Shed展出。同年早些时候，奥斯卡·穆⾥略|张恩利的双⼈个展在上海chi K11艺术博物馆和剑桥⼤学Kettle’s Yard举⾏。穆⾥略的作品和项⽬曾在世界各地的重要机构进⾏个⼈展览。2017-2018年，艺术家的个⼈作品展在Haus der Kunst上映，并由该博物馆与David Zwirner Books合作出版了⼀本全⾯的专题画册。2017年，CAPC musée d’art contemporain de Bordeaux和Concorde、巴黎以及阿塞拜疆巴库的Yarat当代艺术中⼼也举⾏了展览。2015年，个⼈展览分别在哥伦⽐亚国⽴⼤学艺术博物馆、⻢德⾥Daoíz y Velarde⽂化中⼼（ArcoColombia 2015的⼀部分）和德克萨斯州圣安东尼奥市的Artpace上映。同样在2015年，在纽约Performa 15期间，穆⾥略在亚历⼭⼤·汉密尔顿美国海关⼤楼举办了⼀周的表演和装置系列《Lucky dip》。2014年，穆⾥略的绘画、雕塑和视频作品在法国雷恩40mcube展出，作为第四届雷恩⼯作室——当代艺术双年展的组成部分。同样在2014年，在洛杉矶The Mistake Room举办了⼀场作品展览，以庆祝该场地的⾸次展览。2013年，南伦敦画廊举办了艺术家在英国的⾸次重要个⼈展览。
2012年，他在迈阿密Rubell Family Collection进⾏了为期五周的夏季驻地创作绘画，并于同年晚些时候展出，标志着他在美国的⾸次个⼈展览。其他曾展出他作品和项⽬的场所包括新蒙纳科国家博物馆（2016）、Showroom MAMA，⿅特丹（2013）和伦敦Serpentine Gallery（2012）。穆⾥略正在进⾏的⻓期项⽬Frequencies是与艺术家家庭成员、⼯作室团队和全球合作者共同开发的，将画布暂时固定在全球选定学校的课桌上，⿎励10⾄16岁的学⽣创造任何形式的标记制作——绘画、写作、涂鸦。 Frequencies于2015年在第56届威尼斯双年展：全世界的未来中展出。次年，即2016年，它在中国杭州第⼆届纤维
艺术三年展和⽇本第三届爱知三年展“Homo Faber：A Rainbow Caravan”中展出。2017年，它作为穆⾥略Capsule 07展览的⼀部分在慕尼⿊Haus der Kunst展出，并作为Cleveland当代艺术博物馆的A Poet*hical Wager和Kiev PinchukArtCentre的Fragile State等群展的⼀部分展出。2019年，该项⽬在英国约克郡雕塑公园举办了专⻔的展览。2021年，该项⽬作为Alia Farid在纽约瑞⼠学院策划的The Space Between Classrooms、MAM Project 029：Oscar Murillo、东京森美术馆、加利福尼
亚州Coachella Valley的Desert X 2021和TANK Shanghai的美学等展览中展出。Artangel组织的Frequencies演示于2021年在伦敦Cardinal Pole天主教学校展出。2015年，David Zwirner Books出版了Oscar Murillo：Frequencies，记录了该项⽬的第⼀年，并包括画布复制品和涉及学校和学⽣的照⽚。穆⾥略还是Frequencies的创始⼈和主管，这是⼀个相遇、交流和社会地理参与的空间。这个项⽬源于艺术家同名